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- #Mamiya 7 ii framelines without lens attached professional
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Most of these cameras will have fixed normal lenses (around 75-80mm) although the Mamiya C series of TLRs breaks the mold and has interchangeable lenses. They also usually have waist level viewfinders, although some are able to mount eye-level prisms. Generally, the lenses are arranged vertically, with a viewing lens positioned above a taking lens. These lenses aren’t always exactly the same as the twin name may imply, but the presence of two lenses makes a camera a TLR. Twin Lens Reflex cameras, otherwise known as TLRs, are defined by having two lenses. What cameras are available, though? Which one works best for you? Types of Cameras So medium format has quite a bit of variance in image size depending on the camera. It’s a substantial difference, especially between 35mm and 120. If 2.4cmx3.6cm (standard 35mm film) gives us an area of 8.64cm 2, 6×4.5cm gives us 27cm 2 and 6x9cm gives us 54cm 2. Something like 6×9, though, is twice the size of 6×4.5 and offers thus twice the detail. Formats are substantially larger than 35mm. If you can’t visualize the difference, here’s a graphic.Īs you can see, all medium format. Compare that to the Fujica GL690 we mentioned earlier, which takes 8 shots per roll at a size of 6x9cm. This SLR takes 120 film and produces 15 images per roll, at a size of 6×4.5cm. Take, for example, the Zenza Bronica ETRS. Two cameras may both take 120 film, but the images they produce can be vastly different sizes. One important difference is the large variance of cameras and formats. No, there is no such thing as 120mm film.ġ20 photography is very different from 35mm photography. So 120 and medium format are almost interchangeable these days, although medium format can be used to describe many different films. 120 film in particular is approximately 6cm tall, with varying widths depending on the camera. Some medium format cameras, such as the Fujica GL690, can take special sheet film intended for quick development. Most medium format film is rolled, similar to 35mm, but with a much larger image size. To speak generally, it’s a film that’s larger than the 35mm small format but smaller than the 4×5 or 8×10 sheet film, called large format. 220 film ended production in 2018 and was never quite as popular as 120 despite affording more shots per roll.Īll of these numbers, and this medium format name.
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It was accompanied by 220 film, which managed to fit twice the film onto the same spools. Over the decades, 120 became the de-facto film of choice for professionals. Consumers could buy 620 film until 1995, even though 120 drastically outsold it for decades. The very similar film formats were confusing for customers and most likely did not spark the competition Kodak desired. The spools are slightly thinner and very slightly shorter.Įventually, though, 120 won out simply because Kodak could not get enough manufacturers to completely switch to 620. 620 film is nearly identical to 120, just with a slightly different spool. Kodak itself even bet against 120 film, introducing 620 in an attempt to replace the format. The introduction of 120 came only about ten years after Kodak invented flexible rollfilm, and would become the most popular “medium” format film despite competition from the likes of 620 and 127 film.
#Mamiya 7 ii framelines without lens attached professional
The intent with 120 was to create a consumer film, but the famous Red Dot standardized the 35mm film format, which relegated 120 to professional use. Kodak introduced 120 film as we know it today in 1901 for their Brownie No. Watch the video below to see Nico and Nuno talk about medium format, or keep scrolling to read the text version. What is it? Who is it for? What kind of cameras can we expect to see? What are the advantages and disadvantages? With that out of the way, let’s go over medium format. A fancy, expensive camera won’t make you a great photographer, but working within your limitations and being creative can help.
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Some models deserve popularity above others, but good photos can be made with almost any setup and film format. Again, combine this with the prevalence of influencer culture and social media, and it creates a cultural understanding that medium format, and some specific cameras, are necessary to create great photos. When we see a well-made photo, many of us want to know how it was made, including the camera used. This popularity has only been exacerbated by influencer culture and the classic Gear Acquisition Syndrome (G.A.S.). After shooting a few 35mm cameras, many new shooters want a bit more image quality, a bit more subject-background separation, and a bit more back pain. Medium format photography has increased in popularity in the past few years.